Howardena Pindell: Rope/Fire/Water Read more about “Howardena Pindell: Rope/Fire/Water” All details for “Howardena Pindell: Rope/Fire/Water”
OCT 16, 2020 – MAR 28, 2021
An exhibition about the brutality of racism and the healing power of art

About the exhibition

Howardena Pindell (b. 1943, Philadelphia, PA) works across painting and film. She is an activist, critic, and professor who spent over a decade working at the Museum of Modern Art as one of the institution’s first Black curators. In 1972, she was a founding member of the pioneering, women-led A.I.R. Gallery and continues to teach at the State University of New York at Stony Brook as a distinguished professor. Largely known for her monumentally scaled abstract canvases, Pindell has expanded the definition of what abstract painting can be through her inclusion of glitter, paper circles made with hole punches, and the layering of mixed media and scent.

Though racist violence has plagued American life since this country’s beginnings, we do not all share the same awareness of this history. In this exhibition, Pindell presents Rope/Fire/Water (2020), a new video work commissioned by The Shed that examines the painful legacy of white supremacy in the United States. This video bookends the artist’s searing exploration of racial microaggressions in her landmark video Free, White and 21 (1980), in which she embodied several characters including a Black everywoman and an argumentative white woman. To accompany Rope/Fire/Water, Pindell has created two new thematic paintings, Columbus (2020) and Four Little Girls (2020), each an homage to the victims of race-based violence in this country and the lasting effects of imperialism on a global scale. These paintings are surrounded by large-scale abstract works that give visitors space to process the information in the video and thematic paintings, just as the artist puts her mind at ease after engaging with emotionally fraught material through the methodical process of creating such textured and layered canvases as Plankton Lace #1 (2020). Taken together, these works offer hope for a less violent future by educating viewers about our painful history while providing comfort in its aftermath.

Works in this exhibition include images and descriptions depicting racial violence, including lynching. An educator is available in the gallery if you would like to discuss the work. Please look for the staff member with a badge that reads, “Let’s talk about the art.”

Howardena Pindell: Rope/Fire/Water is organized by Adeze Wilford, Assistant Curator. Exhibition management by Jesse Hamerman, Director of Exhibitions, Heather Reyes, Exhibitions Producer, and Elizabeth Berridge, Exhibitions Assistant.

Thank you to our partners

Major Support for Howardena Pindell: Rope/Fire/Water is provided by
Additional support is provided, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
The creation of new work at The Shed is generously supported by the Lizzie and Jonathan Tisch Commissioning Fund and the Shed Commissioners.